As the installation weaves through the four levels of the space, it is primarily a form of energy imagined in four parts - like the four parts of a piece of Hindustani Classical music - Sthaayi (Pallavi in Carnatic Music), Antara, Sanchaari and Aabhog. In Dhrupad, (sometimes in Dhamar) these four parts are always composed in sequence and flow from one to the other. Listen to the Daagarvaani Dhrupad composed in Raag Jog rendered by Pelva Naik (check it out on You-Tube) to develop a deeper feeling for how this work was shaped by the music.